The story starts with the joining of a new English Teacher Rahul Prakash Udyavar (Shahid Kapoor) in Swaraswati Vidya Mandir school, situated in the outskirts of Mumbai Suburbs. Though he creates an instant rapport with students and teachers alike, he realizes that there is something amiss in this school. Slowly his doubts come true as the manager of the school, Sharma (Saurabh Shukla), makes many monetary obligations compulsory for the parents in the name of extracurricular activities. He goes to the extent of punishing the students inhumanly when the new and unjustified demands of the school are not met by the parents. Day by day the stress levels among the students increase. The situation becomes so explosive that it eventually turns into a national issue. Paathshala tries to answer many questions that are related to the sanctity of today's education system. The high morals and basic ethics of the teachings have taken a back seat. Making more profit than ever has become a new mantra of education institutions. The film is neither afraid of telling the truth of wrong doings by the greedy educational institutes on the face nor does it spare them from exposing the use of unethical media activities for the children who are yet not ready for it. more»

K (John Abraham)is so addicted to smoking that is has become impossible for him to live without it. However, he gets a rude jolt when fed up with his craving for ciggies, his wife, Anjali (Ayesha Takia) walks out on him never to return unless he quits smoking. It is then he decides to do something about his obsession. He goes to meet Baba Bengali Sealdahwaale (Paresh Rawal), who runs a 'Prayogshala' -- a center for rehabilitation from all sorts of addiction and afflictions. When he meets the Baba; he walks into an agreement he can't walk out of. Proud and desperate, K throws caution to the wind and challenges the Baba's diktats. However, he realizes that he can't escape Baba no matter what he tries. Until of course the contract is complete. more»

Six young couples in different situations, face different quandaries. All their problems are apparently caused by love, too much, too little, love for the wrong people, love for people who don't want it, unrequited love, amnesia-afflicted love and what have you. Each of the 6 stories is moderately developed, the most believable being the Hindu-Muslim couple - the Ashutosh-Tehzeeb story. Then there is the starlet hungry to make it big, hatching up a publicity stunt which backfires - the Kkamini-Rahul deal. The third pair is that of Stephanie-Raju pair, she searching for her faithless Indian boyfriend and the Indian taxi-driver who ferries her around the country. And then there is the Shiven-Gia yuppie marriage fiasco, with the groom with the cold-feet. The fifth story is of the stable married couple - Vinay-Seema, whose 15 year marriage is threatened when the husband wants more than just boring, suburban life. The sixth couple's story is of Isha-Sohail as a rural couple unable to give vent to their passion. The film runs through these six stories almost in parallel, taking us to their respective conclusions. more»

The story starts with the joining of a new English Teacher Rahul Prakash Udyavar (Shahid Kapoor) in Swaraswati Vidya Mandir school, situated in the outskirts of Mumbai Suburbs. Though he creates an instant rapport with students and teachers alike, he realizes that there is something amiss in this school. Slowly his doubts come true as the manager of the school, Sharma (Saurabh Shukla), makes many monetary obligations compulsory for the parents in the name of extracurricular activities. He goes to the extent of punishing the students inhumanly when the new and unjustified demands of the school are not met by the parents. Day by day the stress levels among the students increase. The situation becomes so explosive that it eventually turns into a national issue. Paathshala tries to answer many questions that are related to the sanctity of today's education system. The high morals and basic ethics of the teachings have taken a back seat. Making more profit than ever has become a new mantra of education institutions. The film is neither afraid of telling the truth of wrong doings by the greedy educational institutes on the face nor does it spare them from exposing the use of unethical media activities for the children who are yet not ready for it. more»

The story starts with the joining of a new English Teacher Rahul Prakash Udyavar (Shahid Kapoor) in Swaraswati Vidya Mandir school, situated in the outskirts of Mumbai Suburbs. Though he creates an instant rapport with students and teachers alike, he realizes that there is something amiss in this school. Slowly his doubts come true as the manager of the school, Sharma (Saurabh Shukla), makes many monetary obligations compulsory for the parents in the name of extracurricular activities. He goes to the extent of punishing the students inhumanly when the new and unjustified demands of the school are not met by the parents. Day by day the stress levels among the students increase. The situation becomes so explosive that it eventually turns into a national issue. Paathshala tries to answer many questions that are related to the sanctity of today's education system. The high morals and basic ethics of the teachings have taken a back seat. Making more profit than ever has become a new mantra of education institutions. The film is neither afraid of telling the truth of wrong doings by the greedy educational institutes on the face nor does it spare them from exposing the use of unethical media activities for the children who are yet not ready for it. more»

Sunday is a Hindi comedy movie about Sehar (Ayesha Takia) who is unable to remember a particular Sunday in her life & then is suspected of a murder. A.C.P Rajveer (Ajay Devgn) takes up the case to solve the mystery & encounters that Sehar had interacted with many people & all of them spotted Sehar at the crime scene. Watch Sunday to find out the events which entangled Sehar in a murder case. more»

Sehar's (Ayesha Takia) world turns topsy-turvy when she gets a clue about the missing Sunday of her life, which points to a possible violent attack on her. A.C.P Rajveer (Ajay Devgn) takes up the case to sort out the complicated and jumbled up threads of Sehar's life. In the process of solving Sehar's case, he discovers that on Sunday, different people interacted with her and amongst them, one could be the accused. The lot included Ballu (Arshad Warsi), the taxi driver and his friend, Kumar (Irrfan Khan), a struggling NSD actor, among others. While trying to solve the puzzle, Rajveer stumbles upon a murder case whose clues hold up Sehar to be the culprit. more»

Sehar's (Ayesha Takia) world turns topsy-turvy when she gets a clue about the missing Sunday of her life, which points to a possible violent attack on her. A.C.P Rajveer (Ajay Devgn) takes up the case to sort out the complicated and jumbled up threads of Sehar's life. In the process of solving Sehar's case, he discovers that on Sunday, different people interacted with her and amongst them, one could be the accused. The lot included Ballu (Arshad Warsi), the taxi driver and his friend, Kumar (Irrfan Khan), a struggling NSD actor, among others. While trying to solve the puzzle, Rajveer stumbles upon a murder case whose clues hold up Sehar to be the culprit. more»

Six young couples in different situations, face different quandaries. All their problems are apparently caused by love, too much, too little, love for the wrong people, love for people who don't want it, unrequited love, amnesia-afflicted love and what have you. Each of the 6 stories is moderately developed, the most believable being the Hindu-Muslim couple - the Ashutosh-Tehzeeb story. Then there is the starlet hungry to make it big, hatching up a publicity stunt which backfires - the Kkamini-Rahul deal. The third pair is that of Stephanie-Raju pair, she searching for her faithless Indian boyfriend and the Indian taxi-driver who ferries her around the country. And then there is the Shiven-Gia yuppie marriage fiasco, with the groom with the cold-feet. The fifth story is of the stable married couple - Vinay-Seema, whose 15 year marriage is threatened when the husband wants more than just boring, suburban life. The sixth couple's story is of Isha-Sohail as a rural couple unable to give vent to their passion. The film runs through these six stories almost in parallel, taking us to their respective conclusions. more»

Six young couples in different situations, face different quandaries. All their problems are apparently caused by love, too much, too little, love for the wrong people, love for people who don't want it, unrequited love, amnesia-afflicted love and what have you. Each of the 6 stories is moderately developed, the most believable being the Hindu-Muslim couple - the Ashutosh-Tehzeeb story. Then there is the starlet hungry to make it big, hatching up a publicity stunt which backfires - the Kkamini-Rahul deal. The third pair is that of Stephanie-Raju pair, she searching for her faithless Indian boyfriend and the Indian taxi-driver who ferries her around the country. And then there is the Shiven-Gia yuppie marriage fiasco, with the groom with the cold-feet. The fifth story is of the stable married couple - Vinay-Seema, whose 15 year marriage is threatened when the husband wants more than just boring, suburban life. The sixth couple's story is of Isha-Sohail as a rural couple unable to give vent to their passion. The film runs through these six stories almost in parallel, taking us to their respective conclusions. more»