JANLEVA 555 is a breathtaking musical romance thriller set in the heartlands of rural India where a group of young filmmakers ends up in the jungles just to discover a shocking truth from the remote past which connects them to the present and may prove to be a deadly danger if it is not solved. Their stories are intertwined with many twists with the clash of good vs evil, past vs present hitting a shocking and exciting climax. more»

Preme Naa Pranam is a 1993 Indian Telugu film, directed by Sridhar Allani and Produced by Duvassi Mohan Kumar. The film stars Varun Raj, Aamani, J. D. Chakravarthy, Vanisri, and Nassar in lead roles. The music of the film was composed by MM Keeravani. more»

Mehak - talented artist, victim of assault and agoraphobic - feels she's possessed when she has visions in her new house. more»

Kattu Kathe is a Kannada comedy thriller movie about Ram, who falls in love with Aadhaya and woos her without revealing that he has a hearing disability. When Aadhaya and her friends are abducted by a gang of murderers, Rajesh, a cop, steps in to solve the case. Watch Kattu Kathe to find out if Rajesh succeeds in rescuing them! more»

Chakravyuh is the story of two best friends: Adil and Kabir. Adil Khan, a highly decorated police officer is posted to Nandighat, after a horrifying massacre of 84 policemen. Within days, he discovers that the Maoists, lead by the ruthless and charismatic Rajan, effectively control the area. They are able to swiftly thwart Adil's most determined efforts. Despite holding a position of enormous power as the SP of Nandighat, Adil has never felt so helpless in his career. But then, into his life, re-enters Kabir! Rootless, aimless, the quintessential rolling stone. His only anchor in life has always been his friendship with and his loyalty to Adil. The maverick proposes an outrageous plan: He will infiltrate Rajan's group, and be Adil's informer. And, together they will smash the Maoist organization in Nandighat. In spite, Sure enough, Kabir gets in and craftily wins their confidence, as only he can. He secretly begins informing Adil, who starts attacking the Maoists with great success. An enormous cache of arms raided, two top national leaders and 63 activists killed at an arms-training camp... And, Rajan himself captured! Within weeks, Adil-Kabir turns the game, pushing the Maoists on to the backfoot. But, Kabir also begins discovering a different reality. The abject helplessness of the rural poor brutally displaced in the name of development, the fruits of which never reach them. Their land, their forest, their water snatched by their own government to allow big business to exploit the area and its people further. As the poverty and desperation rise, so does a cry of anger.. giving birth to the Naxalite who believes the only way to counter this is with a gun! Kabir also can't help getting close to the activists; begins identifying with them. Rajan, Babu, Venu. And Juhi. A dedicated revolutionary with a tender heart, who has seen pain like none other. She begins to fall in love with Kabir. The confusion in Kabir's heart intensifies dangerously until he is on the horns of a ghastly dilemma. Who does he support now? Who does he fight? He finds himself in a chakravyuh from which there is no retreat now. And yet, before Kabir can make one last desperate attempt to resolve this with Adil, events hurtle him into making choices that would put him at war with him. A war that would change the future of the region. A war that can only end when one of them destroys the other. Of his apprehensions, Adil agrees. more»

Chakravyuh is the story of two best friends: Adil and Kabir. Adil Khan, a highly decorated police officer is posted to Nandighat, after a horrifying massacre of 84 policemen. Within days, he discovers that the Maoists, lead by the ruthless and charismatic Rajan, effectively control the area. They are able to swiftly thwart Adil's most determined efforts. Despite holding a position of enormous power as the SP of Nandighat, Adil has never felt so helpless in his career. But then, into his life, re-enters Kabir! Rootless, aimless, the quintessential rolling stone. His only anchor in life has always been his friendship with and his loyalty to Adil. The maverick proposes an outrageous plan: He will infiltrate Rajan's group, and be Adil's informer. And, together they will smash the Maoist organization in Nandighat. In spite, Sure enough, Kabir gets in and craftily wins their confidence, as only he can. He secretly begins informing Adil, who starts attacking the Maoists with great success. An enormous cache of arms raided, two top national leaders and 63 activists killed at an arms-training camp... And, Rajan himself captured! Within weeks, Adil-Kabir turns the game, pushing the Maoists on to the backfoot. But, Kabir also begins discovering a different reality. The abject helplessness of the rural poor brutally displaced in the name of development, the fruits of which never reach them. Their land, their forest, their water snatched by their own government to allow big business to exploit the area and its people further. As the poverty and desperation rise, so does a cry of anger.. giving birth to the Naxalite who believes the only way to counter this is with a gun! Kabir also can't help getting close to the activists; begins identifying with them. Rajan, Babu, Venu. And Juhi. A dedicated revolutionary with a tender heart, who has seen pain like none other. She begins to fall in love with Kabir. The confusion in Kabir's heart intensifies dangerously until he is on the horns of a ghastly dilemma. Who does he support now? Who does he fight? He finds himself in a chakravyuh from which there is no retreat now. And yet, before Kabir can make one last desperate attempt to resolve this with Adil, events hurtle him into making choices that would put him at war with him. A war that would change the future of the region. A war that can only end when one of them destroys the other. Of his apprehensions, Adil agrees. more»

Bose hails from a rich family but is always ready to help the poor. He takes on a powerful minister and his son, who have committed many crimes. Things worsen when his own family opposes his actions. more»

A story that has double-crossing, affairs and deceit as the core concept. A murder takes place and suddenly the police need leads to track down the murderer but may stumble onto other secrets instead. more»

Jodihskki is a 1997 Indian Kannada film directed by D Rajendra Babu and produced by H G Gurubabu. The film stars Shivarajkumar, Vijayalakshmi, Charulatha, Harish Rai and Ashok Rao in the lead roles. Music of the film was composed by V Manohar. more»

Prema Pokiri is an Indian Telugu film directed by T. Arasu and produced by P. Vijaya Laxmi. The film stars Ramesh, Priyamani, Ashish Vidyarthi and Vivek in the lead roles. Music of the film was composed by Ilayaraja. more»

After Shahnawaz's death, his spouse Zeenat's only wish remains is to see Sallu get married. Sallu, however, seems to have his own plans in life! He plans to stay single for as long his idol Salman Khan stays single! Will Zeenat succeed in getting her son married or will Sallu's obsession get in the way? more»

When Devender lands up in ICU, his siblings - Jeetendra, Ravindar and Lalita, rush down to Mumbai along with their families. But each one travels with a different motive, for some, it's about fulfilling their Bollywood dreams and for some, it's about enjoying the Vegas-like nightlife of Mumbai. The comedy is about how a family is supposed to be supportive during such times, but deep inside everyone is troubled and frustrated. more»

Shakthi Yukthi is a 1992 Indian Kannada film, directed by B Ramamurthy and produced by L N Chakravarty. The film stars Ananthnag, Pramod Chakravarthy, Vinaya Prasad and Bhuvana in lead roles. Music of the film was composed by Manoranjan Prabhakar. more»

Sawaal is a 2014 Indian Kannada film, directed by Dhananjay Balaji and Produced by K. Thimmaraju. The film stars Prajwal Devaraj, K Mutthuraj, Abhay, Sona Chopra, Shobhraj, Jai Jagadish, Raju Thalikote, Sadhu Kokila and Bullet Prakash in lead roles. The music of the film was composed by V. Manohar. more»

Yuddha is a 1997 Indian Kannada film, directed by K. V. Raju and Produced by Thulasi Sathyanarayana and Gayathri Manjunath. The film stars Devaraj, Charanraj, Pooja, Aahana, Sharath Saxena, Avinash, Neegro Johny, Disco Shanthi and Shivakumar in lead roles. The music of the film was composed by V. Manohar. more»

Vadhu Varulu 1976 Indian Telugu film, directed by N D Vijayababu and Produced by D Venugopal. The film stars Padmanabham, Anjalidevi, Chandra Mohan and Allu Ramalingaiah in lead roles. The music of the film was composed by Master Venu. more»

Chamatkara is a 1994 Indian Kannada film, directed by Suresh Heblikar. The film stars Prakash Raj, Vijayalakshmi and Ramesh Bhat in lead roles. The film had musical score by Manoranjan Prabhakar. more»

Panjarada Gili is a 1994 Indian Kannada film, directed by Sudheendra Kallol and produced by Sudha Kallol. The film stars Sunil, Shruthi, Lokesh in lead roles. The film has musical score by V Manohar. more»

Haa is an Indian Kannada film directed by Rajanikanth and produced by R K Amrutha. The film stars Rajanikanth (HP), Geetha, Theja, Babu Yadalli, Rangabhumi Raju and Sunila Thalawara in the lead roles. The music of the film was composed by Vinu Manasu. more»

The story starts with the joining of a new English Teacher Rahul Prakash Udyavar (Shahid Kapoor) in Swaraswati Vidya Mandir school, situated in the outskirts of Mumbai Suburbs. Though he creates an instant rapport with students and teachers alike, he realizes that there is something amiss in this school. Slowly his doubts come true as the manager of the school, Sharma (Saurabh Shukla), makes many monetary obligations compulsory for the parents in the name of extracurricular activities. He goes to the extent of punishing the students inhumanly when the new and unjustified demands of the school are not met by the parents. Day by day the stress levels among the students increase. The situation becomes so explosive that it eventually turns into a national issue. Paathshala tries to answer many questions that are related to the sanctity of today's education system. The high morals and basic ethics of the teachings have taken a back seat. Making more profit than ever has become a new mantra of education institutions. The film is neither afraid of telling the truth of wrong doings by the greedy educational institutes on the face nor does it spare them from exposing the use of unethical media activities for the children who are yet not ready for it. more»