Movies results for "mala"

Be-Shaque| 1981

Be-Shaque

1981 | 121 min
Shyam Sunder lives a wealthy lifestyle in a small village in India along with his widowed step mother, Nirmala. He has taken to alcohol, womanizing & goes away very often without informing anyone. He frequently asks Nirmala for money. One day a villager Lucky informs Nirmala that he has seen Shyam's dead body. She arrives with other villagers but finds the dead carcass of a bear. Lucky informs the police. Nirmala is in a secret relationship with Mishra. Subsequently, a young man named Prakash arrives there & meets with Nirmala. He tells her that he is Shyam's friend and an author by profession. He is given a village tour by Nirmala's servant Gangu who later informs of villagers' whereabouts. She permits him to live in her spacious house but subsequently asks him to move to the guest house as told by Mishra. Prakash meets and falls in love with Roopa who lives a middle-class lifestyle with her widowed mother Radha, servant Gopal. Prakash overpowers goons sent by Mishra. Shyam had made villager Gauri pregnant who committed suicide as he did not marry her. Prakash informs Nirmala that he is doing business with Shyam & they were to get Rs 10 lakhs. Prakash denies her receiving Shyam's share & business' details. Shyam before his absence had a quarrel with Nirmala for money & threatened to expose her relationship with Mishra. Soon Roopa also falls in love with Prakash. Prakash comes across a framed photograph of Roopa with a young man & a child in her arms in Gopal's house. Then Prakash is told about an abandoned house that has a ghastly secret. Roopa introduces him to her mom, who approves of him. He tells that he is the son of Lucknow-based Tehsildar Somshekhar. Prakash finds a body but is hit on the head. He finds the body gone on waking. Rest needs to be seen. more»
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Subtitles:English, Arabic
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Mummy Punjabi| 2011

Mummy Punjabi

2011 | 121 min
Babyji a.k.a Mummyji (Kirron Kher) is a modern mother who lives in Chandigarh with her husband (Kanwaljeet) and their three adult children. While she gives full freedom to her young daughter (Simran), Mummyji is rather protective of her two sons. One son (Sachin Sharma) is a doctor and the other (Viraf Patel), a restaurateur. Mummyji dreams of marrying off the doctor-son to an NRI girl, while she wants a homely girl for the other son. In spite of her husband's pleas, she gives her daughter a free hand to do whatever she wants. A Sikh bachelor (Jackie Shroff), who was Mummyji's college classmate, stays close to their house and often visits the family. Her husband takes this in good humour as he is also friends with the bachelor. A maid (Divya Dutta) is the gossipmonger of the housing society. Soon, Mummyji finds suitable brides for her two sons. To her surprise, the bride, who seems to fit into her criteria for her daughters-in-law, reveal their true colours after marriage. While her homely daughter-in-law breaks into an outrageous dance at her other son's wedding, her NRI daughter-in-law turns out to be a cheat, who was trying to swindle the family! However, life soon returns to normalcy as the daughter-in-laws come around. Next, Mummyji also discovers that her son has actually been operating a night-club and had lied to her about running a restaurant. Mummyji is aghast but takes it in her stride. Soon, both her sons and their wives leave for the US for better prospects. An ageing Mummyji and husband are left behind alone with the daughter. Mummyji's bachelor-friend also gets married. Even her daughter finds a good suitor and marries him. What happens next? Does Mummyji continue living life as she always has, or does her life changes? What about her children and their spouses? more»
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Subtitles:English, Arabic
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Mokssh| 2013

Mokssh

2013 | 103 min
Sound designer Geetali (new find Sukhada Yash) is in a live-in relationship with an aspiring filmmaker, Parth (Chinmay Mandlekar), who is frustrated because he has not been able to make much headway in his career. One day, Geetali's friend, Eric (Edward Sonnenblick), a student of anthropology, comes from abroad and expresses a desire to study spirituality. He wants to make a documentary film on the Pandharpur pilgrimage, so popular among Maharashtrians. The pilgrimage, also referred to as Waari, is a 240-km. walk from Alandi to Lord Vithal's abode on Pandharpur, and mythology has it that the journey is to be completed in 18 days. The pilgrimage also entails unfolding of one of the 18 chapters of the Dnyaneshwari each day of the journey. Parth takes up the offer to direct the film but since he is keen to make a mark in commercial cinema, he makes it clear that he would make a feature and not a documentary.Parth starts off with his skeletal crew along with lakhs of pilgrims in the Pandharpur pilgrimage. However, he often becomes irritable and also loses his temper when he feels, his crew members are not doing their best. There comes a stage when Parth decides to abandon the project because he gets a telephone call announcing that a producer was willing to sign him on as director for his (Parth's) dream project. Although he leaves the unit to return to Bombay so that he can take up the direction of his long-cherished project, he returns to his unit when he realises that abandoning the film as well as the pilgrimage would be wrong on his part. How the 18-day journey changes Parth's outlook and mellows him is revealed in the rest of the drama. more»
Subtitles:Arabic, English
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