Koyelaanchal unveils itself through Saryu Bhan Singh (Vinod Khanna), an ex-owner turned Mafioso of the region, who through his sheer brutality & blatant defiance of law of the land, forces the people & the authorities to acknowledge him as their Maalik . Any protest, any voice of dissent against him is dealt with spine chilling violence of epic proportions. Things get a bit difficult to handle for Saryu Bhan Singh when an upright District Collector Nisheeth Kumar (Sunil Shetty) takes charge of the region and starts asking him questions that no one dared ask him before. Caught amidst labor revolts & Naxal uprisings, the last thing Saryu Bhan Singh wanted was to make enemies with the top government officer of his region. He sends his most lethal human weapon, Karua (Vipinno) to scare Nisheeth Kumar off to silence. But the mission don t-kill-just-scare-him goes horribly wrong when Karua ends up fatally injuring Nisheeth s wife and in the process of escape, ends up carrying Nisheeth's infant also, thus abducting the child. What happens hereafter tells a thrilling & heart-rending story of how the real power doesn t always flow through the barrels of guns but through the tender touches of a child, love of a mother & heartfelt prayers of the hapless millions. more»

Koyelaanchal unveils itself through Saryu Bhan Singh (Vinod Khanna), an ex-owner turned Mafioso of the region, who through his sheer brutality & blatant defiance of law of the land, forces the people & the authorities to acknowledge him as their maalika . Any protest, any voice of dissent against him is dealt with spine chilling violence of epic proportions.Things get a bit difficult to handle for Saryu Bhan Singh when an upright District Collector Nisheeth Kumar (Sunil Shetty) takes charge of the region and starts asking him questions that no one dared ask him before. Caught amidst labor revolts & naxal uprisings, the last thing Saryu Bhan Singh wanted was to make enemies with the top government officer of his region. He sends his most lethal human weapon, Karua (Vipinno) to scare Nisheeth Kumar off to silence. more»

Idhu Thaada Needhi is a 1984 Indian Tamil film, directed by KM Purushothaman. The film stars V S Raghavan, Sujatha in lead roles. The film had musical score by Dr. Shankar Ganesh. more»

Andha Oru Nimidam is a 1985 Indian Tamil film, directed by Major Sundarrajan and produced by Pala. Karuppiah and S. Sampath. The film stars Kamal Haasan,Jayamalini,Urvashi, Thengai Srinivasan and Pandari Bai in lead roles. Music of the film was composed by Ilaiyaraaja. more»

Enn Uyir Nanbaa is a 1984 Indian Tamil film, directed by K.S.Dinesh and produced by K.S.Dinesh. The film stars Pandiyan, Chitra, Chandrasekar, S. S. Chandran, Senthil, Senthamarai and Gopalakrishnan in lead roles. The film has musical score by Shankar Ganesh. more»

Parayanumvayya Parayathirikkanumvayya is a 1985 Indian Malayalam film, directed by Priyadarshan and Produced by Anand. The film stars Shankar, Mammootty, Menaka, Sumithra, Sreenath and Mohanlal in lead roles. The music of the film was composed by M. G. Radhakrishnan. more»

Bajirao Mastani is an unapologetic war-time love story that once blossomed as Bajirao (Ranveer Singh), a warrior falls in love with Mastani (Deepika Padukone) while being married to Kashibai (Priyanka Chopra). This Hindi movie revolves around themes such as sacrifice & acceptance of love. Watch Bajirao Mastani to see the challenges Bajirao, Mastani and Kashibai go through to uphold their love. more»

Poochakkoru Mookkuthi is a 1984 Indian Malayalam film directed by Priyadarshan and produced by Sanal Kumar,Suresh Kumar. The fim stars Mohanlal, Shankar, Menaka and M G Soman in the lead roles . The music of the film was composed by M. G. Radhakrishnan. more»

Adi (Mukesh Bharti), a creative painter is ambitious and when he meets Simran (Manju Bharti), a lady of his dreams, he immediately decides to get married to her. However, amidst this fairy tale wedding, there comes a twist when Adi, in a sudden turn of events falls in love with Mehek (Preeti Jhangiani). Though Adi is orphaned, he has a grandmother with whom he shares a friendly rapport. During the preparations of his wedding with Simran, Adi confesses about his love for Mehek to his grandmother. Though she is aware of his feelings, the grandmother (Farida Jalal) isn't very happy with this decision and decides to investigate it. As she sets off on this journey, she encounters deep dark secrets about Mehek's past and her vicious intentions of vengeance. more»

Tholakari is a 2012 Indian Telugu film, directed by Trinetra and produced by A Trinetra Konda. The film stars Sri KrishnaTeja, Dharani and Sowmya in lead roles. Music of the film was composed by Chinni. more»

Renounced by her husband, Meera must perform the ultimate sacrifice after she s declared as an outcast for being in love with someone else. more»

Ondanondu Kaladalli is a 1978 Indian Kannada film, directed by Girish Karnad and produced by G. N. Lakshmipathi and K. N. Narayan. The film stars Shankar Nag, Sunder Krishna Urs, Sundarraj and Padmavathi Rao in lead roles. Music of the film was composed by Bhaskar Chandavarkar. more»

Bandhanam is a 1978 Indian Tamil film, directed by MT Vasudevan Nair and produced by V.B.K. Menon. The film stars Shobha, Sukumaran, Sankaradi and Shubha in lead roles. The film had musical score by MB Sreenivasan. more»

Monalisa is a romantic drama Tamil dubbed film directed by Indrajit Lankesh starring, Dhyaan, Sada, Ramakrishna, Bhavya, Umashree in lead roles. more»

Haddina Kannu is a 1985 Indian Kannada film, directed by A.V.Sheshgiri Rao and produced by P Krishna Rao. The film stars Shankar Nag, Lokesh and Pramila Joshai in lead roles. The film had musical score by Sathyam. more»

Bhakta Kanakadasa is the story of Kanaka, an arrogant and ruthless chieftain who becomes a servant of Lord Krishna and is accepted as a Saint by society. He spent his life singing praise for the Lord. more»

Daari Tappina Manishi is a 1981 Indian Telugu film, directed by B. Narasimha Rao and produced by B. Malathi Devi. Y. The film stars Narasimha Raju, Roopa, Roja Ramani, Lakshmisri, Pandari Bai and Vankayala Satyanarayana in lead roles. The music of the film was composed by Vijaya Bhaskar. more»

Amit, Biswajit and Madhumanti have been friends since college. Biswajit always had a corner for Madhumanti, but never let Madhumanti know about his feelings. Amit had a seven year old daughter, Pooja, when he got divorced. Madhumanti accepted Amit's marriage proposal just to take care of Pooja. But Pooja always held Madhumanti responsible for her parents' separation even though Madhumanti loves her unconditionally. This uneven journey of the mother-daughter relationship continued till Pooja got into the university and fell in love with her professor Siddhartha, who made Pooja realise how much Madhumanti loved her. Siddhartha, ever since he saw Madhumanti, seemed to be attracted to her. The reason behind this unfolds towards the climax of the film. In the end, all the relationships of motherhood, love and friendship in Madhumanti's life conclude in an unexpected turn of events more»

Bhakta Dhruva Markandeya is a 1982 Indian Telugu film, directed by Bhanumathi Ramakrishna and Produced by Bhanumathi Ramakrishna. The film stars Shobana, Vamsi Krishna, Hari, Suresh and Ravi Shankar in lead roles. The music of the film was composed by Bhanumathi Ramakrishna. more»

Ajit and Rajoo become orphans. Ajit, as the older brother takes care of his younger sister, at great personal sacrifice. When he tries to save his sister from sexual assault, death occurs. Is Ajit responsible? He emerges as Vinod from jail. In English the loose translation of the title would be "a silken thread" a compact translation would be a "silken skein". Ajit, and his little sister are separated by powers that neither he or she understand. Resham ki dori - is the thread that brings them back together. This is a story of three generations of arrogance of wealth. It is also a story of great wealth, dishonest managers, anger, arrogance in semi- feudal India. In a social context, it is a story of the death of the textile industry in Parel, Lower Parel in Bombay. It is a story of the exploitation of labour. Some scenes of labour poverty is gut wrenching. It is a vision of a person who could reverse the process of attrition in the textile industry, if only till the textile mill was set on fire for insurance. It is a great movie to watch, if you are looking out for the social context. Dialogues are predictable, mostly studio shot, editing is a bit loose but overall, a slightly differently managed film than the usual movies of the time. 1980's. Excellent storyline, and some superb acting. more»